Our Story
On May 5, 1885, a group of civic-minded African American residents of the village of Mandeville, led by the late Olivia Eunio, created the Dew Drop Social and Benevolent Association. A decade later, the organization laid a cornerstone and, in 1895, constructed a small wooden building on Lamarque Street in what is now Old Mandeville, 3 1/2 blocks from Lake Pontchartrain.
The Association, like many created among African American residents following the end of the Civil War, had chiefly benevolent goals—to care for the sick with food and attention, to provide help in funeral arrangements, to provide food for the needy, and temporary housing—all during a period when black residents could not obtain various types of insurance.
The hall on Lamarque Street, unpainted and nestled in a grove of ancient live oaks, is now considered the world’s oldest virtually unaltered rural jazz dance hall. It was built in the same year that scholars agree was the birth year of traditional jazz in New Orleans.
On May 5, 1885, a group of civic-minded African American residents of the village of Mandeville, led by the late Olivia Eunio, created the Dew Drop Social and Benevolent Association. A decade later, the organization laid a cornerstone and, in 1895, constructed a small wooden building on Lamarque Street in what is now Old Mandeville, 3 1/2 blocks from Lake Pontchartrain.
The Association, like many created among African American residents following the end of the Civil War, had chiefly benevolent goals—to care for the sick with food and attention, to provide help in funeral arrangements, to provide food for the needy, and temporary housing—all during a period when black residents could not obtain various types of insurance.
The hall on Lamarque Street, unpainted and nestled in a grove of ancient live oaks, is now considered the world’s oldest virtually unaltered rural jazz dance hall. It was built in the same year that scholars agree was the birth year of traditional jazz in New Orleans.
UpcomingEvents
Thais Clark
Legendary singer, Thais Clark, is a New Orleans jazz and blues powerhouse whose rich, soulful voice and electrifying stage presence have captivated audiences for over four decades. Born and raised in the city’s historic Seventh Ward, she burst onto the scene at age 35 in Vernel Bagneris’s hit musical One Mo’ Time, earning international acclaim and touring the world from Off-Broadway to Europe and Asia. Channeling the raw emotion of legends like Ma Rainey and Bessie Smith, Clark has shared the stage with jazz greats including Wynton Marsalis and the Lincoln Center Jazz Orchestra. Whether delivering bawdy blues, tender ballads, or foot-stomping traditional jazz, she embodies the spirit, resilience, and joy of New Orleans music.
The News
We are honored to have been featured in a few publications over the years. Check out some of those articles!
A century old and going strong: The tiny Dew Drop has hosted a who’s who of Louisiana music
As the choir practiced that Sunday night in November, the sweet sounds flowing from the open doors and windows of the Dew Drop Jazz & Social Hallfloated through the quiet Mandeville night.
Where To Go In Southeast Louisiana (That Isn’t New Orleans) Part One: The Northshore
When many people think of Louisiana, a blurry haze of beads, jazz, laughter, and the strange characters of New Orleans typically come to mind.
New gospel choir shakes the old Dew Drop’s timbers
Hearing the new Northshore Gospel Choir’s debut performance at the Dew Drop Jazz and Social Hall this month felt like going to Sunday morning church on a Saturday night. A listener felt both blessed by the music and compelled to jump up and move, which is what most folks
Dew Drop Jazz and Social Hall
This 19th-century benevolent society and jazz hall was rescued from abandonment to again host live music.